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The concept and the character of Imaginos were originally created by the young Sandy Pearlman for a collection of poems and scripts called The Soft Doctrines of Imaginos (sometimes reported as Immaginos The adapted and amended rhymes of Pearlman, along with his friend and colleague Richard Meltzer's arcane writings, were used as lyrics for most of the band's early songs; musician and writer Lenny Kaye recalls in his introduction to the re-mastered edition of their first album that "the band kept a folder full of Meltzer's and Pearlman's word associations in their rehearsal room, and would leaf through it, setting fragments to music".
in August 1981 the conflicts and the stress accumulated in more than ten years of cohabitation led to the firing of drummer Albert Bouchard, a founding member and an important contributor to the songwriting and sound of the group, allegedly for unstable behavior.
An almost-finished product that comprised more than ninety minutes of music and whose thirteen tracks included re-arranged versions of "Astronomy" and "Subhuman" (retitled "Blue Öyster Cult"), "Gil Blanco County", the ballad "The Girl That Love Made Blind" and a couple of chorales, While struggling with the long, complex and expensive production of the Blue Öyster Cult's album Club Ninja, Pearlman associated himself with Daniel J.
Imaginos' true nature is revealed to him, and he is informed that the circumstances of his entire life have been manipulated to bring him to that specific moment in time.
Cecilia: The Elektra Recordings), and at least four of them ("Astronomy", "In the Presence of Another World", "I Am the One You Warned Me Of", "Imaginos") were completed and demoed during the recording sessions for the album Spectres. Bouchard and remained in various stages of development during the following years, with the band uninterested in pursuing the Imaginos project that Albert Bouchard and Sandy Pearlman had been insistently proposing.
Bouchard and Pearlman set up the recording of the basic tracks for the first album of the trilogy in June 1982, with sound engineers Corky Stasiak and Paul Mandl at Kingdom Sound Studios in Long Island, New York, who had played live with Blue Öyster Cult on Extraterrestrial Live, and guitar parts by Aldo Nova and the late Kevin Carlson, guitarist of the Aldo Nova Band, should also be ascribed to these recording sessions.
Central to this story are Les Invisibles (The Invisible Ones), a group of seven beings worshipped by the natives of Mexico and Haiti prior to the arrival of Spanish colonists in the 16th century, identified by some fans as the Loa of the Voodoo religion.
affecting events in world history over the course of centuries.