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Here, various culture-specific poetic systems battle it out.
I would assume then that this is what the viewer on either side of the ocean will discern: that these paintings are views of an unstable world - a dyspeptic universe. Medium: Neon, LED Collage Size: 1243 x 1033 cm Year: 2016-17Venetian Rhapsody is the collage of neon images from Las Vegas Holiday Motel(shelter), Macau Golden Dragon Casino(money), St.
Choi’s career-long investigation turns on the symbolic weight, moral burden, cultural achievements and social costs of the “economic miracle” achieved in South Korea during the artist’s lifetime, beginning in the decade following the end of the Korean War in 1953. Welchman, 2017This is a conception of space that is territorial and not symbolic.
When I look at Cody Choi’s paintings I see the dark space of the army blankets as a territory in dispute, as the site of a war of cultures.
Choi writes: “I stole my son’s software to make new painting.First principle: to summon one’s courage as in misfortune, to fall to boldly, to admire oneself in the process, to grit one’s teeth on one’s repugnance, and to swallow one’s nausea.(Friedrich Nietzsche)”, Beginning in the later 1980s Cody Choi impetuously fabricated his own visceral legend.Cody Choi, visual artist and cultural theorist was born in Seoul in 1961.He attended Korea University Sociology major, Korea and Art Center College of Design, Pasadena, California, USA.
He taught at New York University, New York, USA from 1994 - 2004 and Hongik University, Seoul, Korea from 2004 - 2011. His artwork has been featured in many solo and group exhibitions in Europe, USA and Asia.